EQUIPMENT

All supporting gear such as cables, batteries, plates, cards, support rods, rain covers, bags, cases, chargers etc etc are available.

RED EPIC DRAGON 6K

SPECS

DYNAMIC RANGE            

16.5+ stops

MAX DATA RATES            

Up to 200 MB/s using RED MINI-MAG (480GB & 960GB) 
Up to 170 MB/s using RED MINI-MAG (120GB & 240GB) or REDMAG 1.8" 

MAX FRAME RATES         

75 fps at 6K Full Format (6144 x 3160), 100 fps at 6K 2.4:1 (6144 x 2592) 
96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160) 
120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728) 
150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296) 
240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864) 

 

REDCODE SETTINGS    

4:1 REDCODE for 6K Full Format (6144 x 3160) at 24 fps 
10:1 REDCODE for 6K Full Format (6144 x 3160) at 60 fps 
2:1 REDCODE for 4K Full Format (4096 x 2160) at 24 fps 
5:1 REDCODE for 4K Full Format (4096 x 2160) at 60 fps 

 

Mounts available

*F (Nikon) 

*EF (Canon)

*PL

OLPF available:

*Standard

*Low Light

*Skin Tones

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RED DSMC2 GEMINI 5K

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Dual Base ISO

800 & 3200

Infrared Capable 

SPECS

DYNAMIC RANGE

16.5+ stops (Both Sensitivities)

 

MAX DATA RATES

Up to 300 MB/s using RED MINI-MAG® (480GB, 512GB, 960GB & 1TB)

Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)

 

REDCODE® RAW MAX FRAME RATES

75 fps at 5K Full Height 1.7:1 (5120 x 3000)

96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160)

120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)

150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)

240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)

REDCODE SETTINGS

3:1 REDCODE at 5K Full Height (5120 x 3000) and 24 fps

6:1 REDCODE at 5K Full Height (5120 x 3000) and 60 fps

2:1 REDCODE at 5K Full Format (5120 x 2700) and 24 fps

8:1 REDCODE at 5K Full Format (5120 x 2700) and 96 fps

2:1 REDCODE at 4K Full Format (4096 x 2160) and 24 fps

6:1 REDCODE at 4K Full Format (4096 x 2160) and 120 fps

Apple® ProRes

ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps

ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps

ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps

Avid® Codecs

DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps

DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps

DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps

DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps

DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps

Mounts available:

*EF (Canon)

*PL

*Kippertie revolver PL

OLPF available:

*Standard

*Kippertie full spectrum (Infra Red)

SONY FS7 II 4K

SPECS

DYNAMIC RANGE

14 Stops

MAX DATA RATES

XAVC-I mode:DCI4K 59.94P CBG, bit rate 600Mbps, MPEG-4 H.264/AVC
XAVC-I mode:DCI4K 50P CBG, bit rate 500Mbps, MPEG-4 H.264/AVC
XAVC-I mode:DCI4K 29.97P CBG, bit rate 300Mbps, MPEG-4 H.264/AVC
XAVC-I mode:DCI4K 23.98P CBG, bit rate 240Mbps, MPEG-4 H.264/AVC
XAVC-I mode:DCI4K 24.00P CBG, bit rate 240Mbps, MPEG-4 H.264/AVC
XAVC-I mode:DCI4K 25P CBG, bit rate 250Mbps, MPEG-4 H.264/AVC
XAVC-I mode:QFHD 59.94P CBG, bit rate 600Mbps, MPEG-4 H.264/AVC
XAVC-I mode:QFHD 50P CBG, bit rate 500Mbps, MPEG-4 H.264/AVC
XAVC-I mode:QFHD 29.97P CBG, bit rate 300Mbps, MPEG-4 H.264/AVC
XAVC-I mode:QFHD 23.98P CBG, bit rate 240Mbps, MPEG-4 H.264/AVC

MAX FRAME RATES

XAVC-I mode 3840x2160: 1 to 60 frames (59.94P, 50P, 29.97P, 23.98P, 25P)
XAVC-I mode 1920x1080: 1 to 180 frames (59.94P, 29.97P, 23.98P) 1 to 150 frames (50P,25P)
XAVC-L mode 3840x2160:1 to 60 frames (59.94P, 50P, 29.97P, 23.98P, 25P)
XAVC-L mode 1920x1080:  1 to 120 frames (59.94P, 50P, 29.97P, 23.98P, 25P)

Mounts available:

* Metabones E to EF (Canon)

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SONY A7SII 4K (Infrared)

SPECS

DYNAMIC RANGE

15.1 Stops

HIGH ISO

100 - 409,600 ISO Range

RECORDING COMPRETION

XAVC S: MPEG-4 AVC/H.264; AVCHD: MPEG-4 AVC/H.264; MP4: MPEG-4 AVC/H.264

RECORDING FRAME RATE

4K - 24, 25, 30fps

HD - Up to 120fps 

Our A7SII has been converted to Infrared, with its super low light capabilities combined with Infrared. Capturing natural behaviour at night has never been this eye opening.Combining our A7SII with our Atomos Ninja Flame you get the amazing low light capabilities combined with the proven ProRes format.

Mounts available:

* Metabones E to EF (Canon)

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SEE IN THE DARK

Lenses

Canon CN 20 X 50. PL (50 - 1000mm + 1.5 built in converter)

Canon 100 - 400 f4.5-5.6 MKii EF

 

Canon 70 - 200 f2.8 MKii EF

 

Canon 24 - 105 f4 EF

 

Canon 2X EF Converter

 

Canon 1.4X EF Converter

 

Sony E 4/PZ 18 - 110 G OSS

 

Laowa 24mm f14 Probe Lens Cine EF

 

Sigma 60 - 600 f4.5-6.3 Sport EF

 

Zeiss 50mm f2 Macro Planar ZE

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DJI Phantom 4 Pro

DYNAMIC RANGE

12.5 Stops

VIDEO RECORDING

H.265
C4K:4096×2160 24/25/30p @100Mbps
4K:3840×2160 24/25/30p @100Mbps
2.7K:2720×1530 24/25/30p @65Mbps
2.7K:2720×1530 48/50/60p @80Mbps
FHD:1920×1080 24/25/30p @50Mbps
FHD:1920×1080 48/50/60p @65Mbps
FHD:1920×1080 120p @100Mbps

H.264
C4K:4096×2160 24/25/30/48/50/60p @100Mbps
4K:3840×2160 24/25/30/48/50/60p @100Mbps
2.7K:2720×1530 24/25/30p @80Mbps
2.7K:2720×1530 48/50/60p @100Mbps
FHD:1920×1080 24/25/30p @60Mbps
FHD:1920×1080 48/50/60 @80Mbps
FHD:1920×1080 120p @100Mbps

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Gimbals & Sliders

DJI Ronin 2 Professional Combo + Ready Rig Pro Arms

 

DJI Ronin S

 

Rhino Motorised Studio Slider (Complete Bundle)

 

Kessler Crane KC12

 

Kessler Crane Killshock Isolator System

Combining our Ronin 2 + Killshock and/or Ronin 2 + Killshock + Crane, we are capable of creating a smooth tracking system, that produces smooth high quality images. 

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Tripods

Cartoni Maxima 40 - 150mm

 

Ronford Baker Series 2000 with balance control 2004 - 150mm

 

Miller Arrow X 5 - 100mm

Various tripod legs for above from high hats to heavy duty legs.

Various vehicle mounting systems available for above heads.

Various Manfrotto heads and legs available.

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Sound

Shure VP89L Microphone + Dead Cat

 

Sony ECM-674/9X

 

Sony ECM-VG1 Shotgun Mic

 

Rode NTG2 Shotgun Mic

 

Sennheiser EW 122-p G3

 

Sony Lav Mic

 

Zoom H4N Pro

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Lights

Rotolight NEO 3 light kit

Raytech VAR2-i6-3 Long Range Infra Red Illuminator

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Monitors / Recorders / Wireless Systems

Swit S-1053F 5.5" HD Monitor

Atomos Ninja Flame 7" 4K Recording Monitor

 

Swit SW-M150 SDI/HDMI 150m wireless system kit

 

Tilta Nuclues - M Wireless System

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Post Production

HARDWARE

iMac Pro 18core

MacBook Pro15"

MacBook Pro13"

SOFTWARE

Final Cut Pro X

DaVinci Resolve 

Lightroom

Photoshop

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Miscellanies 

STILL PHOTOGRAPHY

Canon 5D MKIII

Sony A7RII

Various action cameras GoPros, Nikon and other equipment.

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